Canon c100 c log setting

The C mkii is an amazing documentary camera. First of all, do an auto black balance. Canon recommends you do this every time you change the ISO. Make sure a lens cap is on. Press OK to perform the balance. Button 15, the default, is in a very awkward location if you plan to use autofocus regularly, like I do. This is an awkward button location for routine focus grabbing.

Then choose button 7. Press the joystick and scroll to select One-Shot AF. This enables Canon Log, which gives you a flat file that grades beautifully in post. Using this setting preserves all the options that are available to you in post.

canon c100 c log setting

This makes what you see on screen look more like what the contrast and exposure settings will look like after the image is graded. ISO []. To get the maximum dynamic range out of this camera, set the ISO at If you set a lower ISO, you will be losing information in the highlights.

Canon C100 & FilmConvert for C-LOG

Peripheral illumination Correction. This will automatically fix vignetting and barrel distortion issues on supported Canon lenses. It works like magic! Have a great shoot!

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This is great! Thanks for the guiding… i will now manage a great setup to use. I am a photographer and cinematographer. But this year I invest in the cannon C Mark This camera is a game changer Well worth every penny. Next year I want to invest another camera and completely stop using my DSL are for she next year I want to invest another camera and completely stop using my DSL for Cinema photography shoots.

The C Mark two was my wises camera decision. I absolutely love it. Thank you for these settings! My end goal is to to have footage that I have the ability to convert to DCP if necessary for work to submit to film festivals. Do you have insight?

On a still camera, using a low ISO is a great idea for reducing noise.Schedule Appointment. I've already logged a lot of hours with this new camera since I bought it last December. Here are some tips I picked up along the way:. Ordinarily this could be problematic if you want to shoot with your lens wide open.

Let's say you're shooting an interview, indoor, with natural light. You want to shoot at f2. Your instinct may be to lower the ISO on the camera. Your C Mark II has different shooting profiles you can use depending on your shooting situation and post workflow. The folks at AbelCine have a bunch of different free custom profiles you can load onto your camera that are made with different uses in mind ie. If you want to get the most robust image out of your camera than I highly recommend you learn to expose in C-LOG.

Not only do you get the most dynamic range from your camera when shooting C-LOG, you get a flat image that gives you an opportunity to color grade to your client's liking. The first allows you to control your C Mark II from a device like your smartphone or tablet. This can be useful in situations when you need to mount your camera to a gimbal like the DJI Ronin. The Mark II generates its own wifi signal that you can connect to, allowing you to control your camera's exposure and focus depending on your lens.

I used this feature recently on a long tracking shot that opened a music video. My Ronin op walked through the scene and I was able to finesse the camera's image with the included controller while viewing off an iPad.

Having ND behind your glass is fantastic and always the best option. When I'm shooting interviews I usually keep stay between f2. For landscapes and business exteriors I'll shoot between f8 and f For most other situations though, I'm always trying to shot wide open for a creamy, dreamy depth of field. The Mark II is a perfect weight and compact size to give you a bunch of shooting options.

STOP shooting LOG Footage

Whatever the shooting situation calls for the C Mark II seems to have the answer. The Mark II has two SD card slots and the menu system allows you to configure them in a bunch of different ways. If you're shooting in an event or situation where you can't control the action and don't want to miss anything, you can set your camera to record continuously.

The recording will not stop until you access the menu and writes to both card slots so you have a copy. You can take any menu command and place it the "My Menu" menu, for fast access.

You also can assign and reassign button on the camera to your liking which I highly recommend. Cart 0. Home Agency Gear Stills Blog.Why is the Cmkii a ridiculously awesome camera? But to get the most from your footage requires a little work.

Set minimum ISO to Instead, it will rob you of dynamic range.

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So always always always set a minimum ISO of In low light you can go higher — much higher, in fact, and get great results. But never go lower. This is the only way to get the full 12 stops of dynamic range out of your camera. The footage will initially appear flat when you view it. More about that momentarily. Enable View Assist. TIP: I add this and several other settings to the custom menu, which makes finding them much quicker than hunting through the menus.

Use a LUT. Which LUT to use? These will work as a plugin to the NLE of your choice i. Using LUT Utility, you can adjust the effect from zero to percent. I often find that dialing in percent of the effect is just about right. So we shoot in CP Locked, and…. LUT applied no other color correction. As you can see above, this instantly does wonders for our footage. But it still needs a little work.

Adding this LUT makes our image appear too crushed, in my opinion, and slightly over-saturated. There are two ways to correct that while retaining the punchier color of the effect. The final results. Notice how lifelike the skin tones are, and how the important detail in the background is preserved.How to get the most out of your C or C, or …. The C and the less expensive pendant, the C, booth does have have a really great image sensor with an unrivaled light sensitivity.

And why in the hell should you not use the Canon C-Log gamma curve? Actually you can and should use it, but not as intendend! Ungraded Canon C-Log Image. On most cameras the Custom Picture Styles can be modified. I wrote about this in my article Technicolor — Hype or Cine-like Mastering. One important image style aspect comes along with all logarithmic gamma curves is that they are mostly very flat, especially in the midtones where the skintones are located.

So with a limiting 8-bit codec you basically get a lot less gradiation steps in skintones and that means when you apply a LUT that brings back contrast your skintones loose a lot of gradiation steps and falling appart fast with ugly unwanted banding effects showing up.

So be aware of using too flat gammas with 8-bit codecs. With an 8-bit camera system you need to take care what dynamic range you expose with the given codec.

Mouseover to see difference:. Read more about the corrected c-log Custom Picture Profile.

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Firstly the rised black is problematic. The intention for the high black level is to capture any possible shadow detail that is somehow visible to the sensor. The problem here is that with a black level this high you will get noise in shadows pretty fast and this is one thing you dont want in your nice material.

The next problem with the rised black level ist that there are about 16 brightness steps in shadows unused, which are desperately needed if we only have an 8-bit codec available to capture the video. Most nowadays NLEs are capable of handling superwhites in pro-cameras videos, but not the user. Only when you look at your Waveform Monitor you will see that there ist something brigher than white in your video and that you can take advantage of it. When lowering the gain in a video with superwhites you propably get some details back from overexposed bright areas in your video.

But most of the time you will expose your video somehow correct when using your camera and hence the superwhites are mostly unused brightness steps that we again desperately need when our camera only outputs 8-bit video. Lets do it! So the conclusion is to fintune the original c-log with the Custom Picture Profile settings to fit our needs. With this settings you will actually see more details in the whites and there is less tweaking with the final video needed.

This way the 8-bit brightness steps are perfectly used and encoded with the internal codec or with an external recorder like the Ninja or Samurai. I recently got my Canon C and a Ninja2 recorder which records up to mbit out of the C and has a superiour codec that provides best posible quality for the movies.

Waveform behaviour when using C-Log recording vs full dynamic range recording. Dont understand me wrong, the Canon C-Log Custom Picture Style is great and it provides a great latitude, but I think it can be optimized to do a even better job.

But the problem remains. Canon C-Log rises black levels, but you dont get any more details within the dark rised brightness range.

So why should we use it, or the better question is why should we use it NOT? The short answer is: you get more brightness steps and less banding artifacts.

canon c100 c log setting

What I saw prooved my theory again that you loose brightness steps when using the unmodified, original Canon C-Log. I tweaked the Custom Picture settings in actually 2-ways that made a huge difference! The most important thing is to setup a correct black-level and master-gain. All other settings are left to default. Read my blog post about it. My Cine16 as well as the original unmodified c-log uses the upper brightness range of the camera.

The problem with that is, that image-noise is visible far earlier as in the modified CinemaEX where we actually shift the whole color-range down about 16 brightness steps. With this setup grading is far more easier because video levels are already set up correctly and I can focus on colors and contrast of my image when grading it.When your download is complete please use the instructions below to begin the installation of your download or locate your downloaded files on your computer.

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Hi all, First post. I just received my C mkii coming from the dslr world. Looking forward to shooting and grading in C log. If so, does anyone have any suggestions for luts I should be considering. Thanks P. Shooting in log is best when you shoot a scene with a wide dynamic range, if that is not the case then log is not always the best choice. If you just shoot WideDR, you'll get most of the benefit without being required to add a plugin effect on every shot.

Log footage is best graded straight up in actual color software Resolve, Speedgrade, etcwith a LUT being used to either move the space from Clog to, say, Cineon, or some specialty grade you are trying to accomplish i. I see too much user of a basic Rec. There are times when I use Clog, Clog2, or Rec.

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A Log gamma will help maintain the detail so that you don't look blown out like everyone else provided you grade it properly, because, again, simply applying the LUT can obliterate all of that retained detail. Going to be mostly indoors with a small window far in the background?

Shoot Rec. Thanks guys, this is the information I'm looking for. It's an education. I'll get there. Originally Posted by Gary Huff. I'm a frequent user of the Cxx and agree with Gary that on this particular camera at least the Wide DR mode is almost always the best starting point if you can't control the lighting. Log gamma, by design, always sacrifices detail and gradation in the mid tones to achieve the wider recordable detail and gradation in the highlights and shadows so you essentially lose some when you gain some especially in all the compressed formats.

If for any reason such as the inability to block out some light from the windows or light up the room to raise the illumunation level close to that from the windows for instance, then C-log might work for you but again it won't be anything like well-lit or properly angled shots. Originally Posted by Terence Morris. Isn't the reason some shooters use Clog is not just to maximise dynamic range, but to begin with a much flatter profile that most LUTs are designed to then reshape?

BMW Unscripted. Originally Posted by Wacharapong Chiowanich. A lot of it depends on the camera.On the F3 cinegamma 4 is my all time favourite for boosting the mid-tones.

canon c100 c log setting

Because a LOG image will look extremely flat and lack any contrast it can be very difficult to expose it properly by using your eye, histogram or even a waveform monitor. Also observe how changing your ISO on the Canon will impact your exposure lattitude below and above your middle grey point. Perhaps if it is low-key, flat, or high contrast.

How to Get the Most Dynamic Range Out of the Canon C100 & C300

Will Dragon bid farewell to bit linear? Thanks for sharing your experience and knowledge I have a question I m shooting with the C and was only able to do a brief test When shooting predominantly african american talent, i m thinking about placing IRE around 40 to gain more density on the image Have you have experience with similar situations?

Thanks again Francisco. In your shooting situation I would typically aim to place darker skin talent 1 to 2 stops over middle grey. What am I missing? Great posts by the way. Hi Zack, I know it can be very confusing and I will try to update this post so it is a little more clear. Thank you so much for sharing this! It seems a lot clearer now.

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This is definitely a trait of Log based gamma curves where its designed to try and equalize the amount of data quantization across the TOTAL dynamic range of the camera. This presents two issues as you have very keenly pointed out, 1. It seems like it would be such a simple feature to add and would allow for run and gun use of C-Log. Especially when shooting documentary. Glad you found this post useful Dan.

About zebras going lower, even Sony did this on their newer 35mm based cameras and the only thing which could explain it is manufacturers like Canon and Sony are expecting people to use zebras for indicating white levels or highlights — not necessarily skin tones.

I recently just started shooting with the Canon C and have been trying to use the wave form monitor.


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